Black Chicks Talking was born out of a deep need to explore and give voice to the lived experiences of Aboriginal women. As a First Nations storyteller, I felt our stories were often overshadowed or misrepresented in mainstream theatre and media. This play was my response to that absence—an opportunity to portray Aboriginal women in an authentic, multifaceted, and empowering way. At its core, Black Chicks Talking is about connection, resilience, and the strength we derive from each other, particularly in navigating the complexities of contemporary life as Aboriginal women.
The play explores cultural identity, belonging, and healing themes while creating space for diverse voices within the Aboriginal community. It reflects the everyday lives of our First Nation women, capturing moments of humour, vulnerability, and strength. It also reflects how we, as a community, hold and share our stories—how our narratives are passed down and lived through generations.
By the time I turned to the play, I had already written the book anthology, directed the documentary film, and exhibited the portrait and photographic series. These mediums had serviced the story differently and guided me toward a more spiritualistic telling in the play, contrasting with the factual approach taken in the other forms.
Black Chicks Talking became more of a dream state than anything else—perhaps a play before its time. It was a turning point, not only for me as a storyteller but for the play itself.
Black Chicks Talking was essential for its time because it challenged the prevailing narratives around Indigenous women. It broke free from stereotypes and provided a platform for our voices to be heard on our terms. It wasn’t just about reclaiming space in theatre; it was about asserting our power and agency in a world that often overlooks us. In this way, Black Chicks Talking celebrates our heritage, stories, and strength, marking a turning point in Indigenous representation in the arts. The play’s success speaks to how much our stories are valued when given the space to be heard.
Breaking out to become the first to tour nationally for La Boite was a highlight. I’m proud that it still holds a significant place in the Australian theatre canon and that La Boite has acknowledged it in its 100th Anniversary.
Leah Purcell
Writer and Director
La Boite Encores | Black Chicks Talking
CELEBRATING 100 YEARS OF OPENING NIGHTS AND OPENING MINDS
